Women in Media Art: Telematic Performance – Ars Electronica. Kepler’s Garden. Sept. 11, 2020

A memory of my talk about INTIMAL system at Ars Electronica Symposium ‘The Women in Media Art: Telematic Performance’. Thanks to Alex Murray-Leslie, Anat Ben David, Tina Frank and Claudia Schnugg! Wonderful insights on diversity in Telematic Performance.

Published by xadiaz

View all posts by xadiaz

Leave a Reply Cancel reply

Enter your comment here...

Fill in your details below or click an icon to log in:

Email (required) (Address never made public)

Name (required)

Website

You are commenting using your WordPress.com account. ( Log Out / Change )

You are commenting using your Twitter account. ( Log Out / Change )

You are commenting using your Facebook account. ( Log Out / Change )

Cancel

Connecting to %s

INTIMAL is a telematic sound art research project and "embodied" system for listening to our sonic migrations.

INTIMAL's vision is to expand people's sense of place and sense of presence, with the use of embodied interfaces and networking technologies in live improvisatory sound performances, interconnecting people across local and distant locations, while creating dream-like narratives of place.

INTIMAL is conceived and led by the artist-researcher Dr. Ximena Alarcón Díaz who was awarded a Marie Skłodowska Curie Individual Fellowship 2017-2019 at the RITMO Centre, Dept of Musicology, University of Oslo, for developing the first stage of this project. Now she is working independently and supported as a Resident at The Studio, Bath Spa University's Enterprise and Innovation Hub.

It was funded in its first stage by the Marie Skłodowska Curie Individual Fellowship 2017-2019 awarded to Dr Ximena Alarcón Díaz, who developed it at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, Department of Musicology at the University of Oslo.

This project received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie grant agreement No 752884, and partial funding from the Research Council of Norway through its Centres of Excellence scheme, project number 262762.