NIME LATAM, Octubre 27, 2021

NIME LATAM. Diseño Patricia Cadavid

Hoy tuve el placer de presentar brevemente el proyecto INTIMAL, y participar con 28 creadorxs y sentipensantes de todas las esquinas en Latinoamérica, en el primer taller NIME Latinoamérica, en el marco del 18th Brazilian Symposium of Computer Music. NIME significa New Interfaces for Musical Expression, y queremos entendernos desde el contexto Latinoamericano:

“La Red de Investigación NIME Latinoamérica tiene como objetivo proveer un espacio para compartir recursos, tutoriales y repositorios para miembros de la comunidad, así como para visibilizar su trabajo. También buscamos organizar encuentros y eventos que serán comunicados en esta página y mediante nuestras plataformas de comunicación (por favor, contactar a los administradores para acceder a estas plataformas).Con esta red pretendemos dar los primeros pasos hacia la creación de una comunidad NIME latinoamericana así como también consolidar el futuro de esta comunidad al interior y más allá de NIME, abriéndonos a otras comunidades de América Latina e inspirando cambios políticos para apoyar el desarrollo de nuestras comunidades locales.” Interesades en hacer parte de esta Red nos pueden contactar a lxs organizadorxs. Es una experiencia muy enriquecedora, única y necesaria para nuestros retos Glocales!

Routed Magazine & iDiaspora

An article written by the INTIMAL collective, and titled “INTIMAL: Relational listening that unknowingly prepared us for the COVID-19 pandemic” has been published by the magazine Routed and iDiaspora, in an special issue, “Empowering global diasporas in the digital era”. It has been published in English, Spanish and French.

We are proud of sharing this issue with other 18 experiences using digital technologies in different ways to use digital media to connect, help, heal and stand for migrant’s needs and rights all over the world.

We are grateful the editors and the team that makes this possible!

Listening Across Disciplines – Podcast in Resonance FM

Thanks to Mark Peter Wright for including me on this Listening Across Disciplines podcast which was broadcast on November 11 in Resonance FM. I am talking about my expectations and learning with the INTIMAL project and how much listening I have practiced in the making of this project!

“New series examining Auditory Practices across Arts, Science and Technology, through conversations, lab and field demonstrations and environmental sounds. Each episode creates its own listening journey and entangles different voices and approaches with the spaces in which listening takes place. Today: Episode 6. Sound Arts. Conversations reflect on artistic methods and practices of listening. Interviewees include: Dr. Ximena Alarcón, Professor Angus Carlyle, Dr. Matt Parker and Syma Tariq. Produced by Mark Peter Wright and Salomé Voegelin at CriSAP, UAL. Visit www.listeningacrossdisciplines.net for full information. Twitter: @listenacross Facebook group: https://www.facebook.com/groups/ListeningAcrossDisciplines/

Physically Distant #2 Talk. July 28, 2020

I had the great opportunity of sharing INTIMAL Art-Research work in Physically Distant 2, a series of conversations on Telematic Performance organised by Federico Visi and Stefan Östersjö from the GEMM))) the Gesture Embodiment and Machines in Music research cluster at the School of Music in Piteå, Luleå University of Technology Thanks to the organisers and the audience, and for the open format.

My final reflection is about knowing our departure and intention to create the platform (or set of technologies) that give us agency for listening and sounding through telematics. INTIMAL System modules as prototype, informed by Embodied Listening holistic research (using Deep Listening ® and Embodied Music Cognition), are an example of what can be designed for telematic sonic performance.

INTIMAL’s vision is to expand people’s sense of place and sense of presence, with the use of embodied interfaces and networking technologies in live improvisatory sound performances, interconnecting people across local and distant locations, while creating dream-like narratives of place.

Through Relational Listening INTIMAL supports exercises on collective memory: walking in search for place, breathing to feel presence.

Food for thought and encouragement for continuing with the good work.

Streaming from Bath for “Absurdity” by Franziska Schroeder and Matilde Meireles

I also contributed to the online performance Absurdity by Franziska Schroeder and Matilde Meireles, in collaboration with members of the Female Laptop Orchestra FLO:

Franziska Schroeder – LiveSHOUT and Pessoa reading (English)

Matilde Meireles – LiveSHOUT and Pessoa reading (Portuguese)

Maria Mannone – LiveSHOUT streams of piano improv from Palermo

Maria Papadomanolaki – LiveSHOUT streams of sounds from Crete

Anna Xambó – LiveSHOUT streams of sounds from Sheffield

Nela Brown – LiveSHOUT streams of sounds from London

Ariane Stolfi – LiveSHOUT  streams of sounds from Porto Seguro and playsound.space

Ximena Alarcón – LiveSHOUT streams of sounds from Bath.

We used live streams through LiveShout appdesigned to facilitate multiple streaming points and multiple listening points, what we call ‘distributed listening’“, at the Sonic Arts Research Centre, in partnership with Locus Sonus, by Franziska Schroeder and Pedro Rebelo. A snippet of the performance can be heard in this Federico Visi’s tweet. Thanks to all for the sharing.

Charla en Mujeres al Borde del Ruido – Julio 9, 2020

Charla en el marco de La Escucha Profunda como práctica sensibilizadora y revolucionaria

Fue un privilegio ofrecer una charla para el proyecto “Mujeres al borde del Ruido” liderado por Laura Zapata y Juliana Ortigoza, en Plataforma Bogotá – Colombia. Contar con la presencia de lxs jovenes residentes en este laboratorio, y sentir su escucha atenta a la trayectoria de mi arte, confirmó para mí la relevancia de la escucha individual y colectiva en tiempos inciertos. Gracias a las organizadoras, y felicitaciones por este proyecto tan importante, ganador de la Beca Plataforma Bogotá – Arte, Ciencia y Tecnología 2019–2020.

Este laboratorio “espera propiciar espacios de creación sonora, cuyo eje articular aborde las estéticas de mujeres creadoras en relación con la tecnología y el sonido. El laboratorio propone el encuentro y diálogo con compositoras contemporáneas que han incorporado la tecnología en la música
(electroacústica).”

Casting Futures in the Thick Present: Talk in ArtEZ Time Matters, Nov 5, 2019

 

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I was honoured to contribute to the seminar Casting Futures in the Thick Present, in the Series Time Matters, organised by Peter Sonderen, Professor, and Sharon Stewart, researcher for the Professorship Theory in the Arts at the ArtEZ, in Deventer, the Netherlands. My talk went around how time is manifested in the project INTIMAL:

Abstract 

“Time in INTIMAL: In-between fragments of dreams and migrations, responses to awaken realities. 

The project has engaged initially nine Colombian migrant women living in Europe, in listening deeply to their dreams as vehicles of their migrations. Listening  to our dreams is inspired by the teachings of the writer and dream expert IONE, as part of the Deep Listening practice.  As a compass, the process in INTIMAL has questioned spaces and times, as well as sounds that are manifested in the dreams. Specifically, their engagement has been through the focus on my proposal of four spheres of migratory memory to navigate through:

  • body stories,
  • social body,
  • native land,
  • and hostland.

In the context of Colombian and world conflict, these spheres bring a cycle of renewal of stories that emerge through a myriad of emotions and can transform opening paths for healing experiences of loss. Loss could be related to the “no future”, particularly in territories that immerse us in various layers of conflict, and when the option of future is seen as “leaving” to other lands, to migrate. Time then might freeze, in the native and in the hostland. Time then could define what we perceive as our identities: embodied, colour, race, language, gender. Time emerges in this context as a malleable category to reinvent ourselves and to, actually, migrate.”

In the talk, my reflection involved the possibility of expanding time, through dreams, migration, and telematics, for the opening of possible futures.

 

Thanks to the organisers for this amazing opportunity!

ACERVO: publication and round table

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English (Spanish below)

I am proud to announce that our paper titled:  “From collecting an archive to artistic practice in the INTIMAL project: lessons learned from listening to a Colombian migrant women’s oral history archive.” has been published in the Revista Acervo (Revista do Arquivo Nacional), which is the Journal from the National Archive from Brazil. The publication was a joint effort with my co-authors Lucia Nikolaia Bohórquez López (RITMO Centre, UiO), Helga Flamtermesky (Diaspora Women) and Oliver Lartillot (RITMO Centre, UiO). This edition of Acervo was dedicated to “Diálogos Desviantes do Archivo” Das experimentações artísticas à educação das sensibilidades, and had as Guest Editors Adriana Carvalho Koyama and Ana Pato. They launched the edition at the IV Simpósio Arquivos & Educação, on September 17, 2019,  at the Arquivo Nacional de Brasil. I participated in a round table at the event (online presence), together with Andrea França – PUC RJ, Luiz Claudio da Costa – UERJ, Adriana Carvalho Koyama – Unicamp, and Ana Pato – Grupo de Pesquisa Estéticas da memória no século 21: arte, espaço público e imagens do pós-monumental.

In a very inspiring session, with examples of artists working with archives and memory, in performance, photography, sculpture and film (amongst other practices) we reflected on the contemporary need of deviating from positivist and historicist practices, and contribute to the reconstruction of history articulated to people’s memories. From the session I take with me as a highlight the importance of the archives in the elaboration of social traumas. Thanks to all the participants for this nourishing session!

Español

Me enorgullece anunciar que nuestro artículo titulado: “De la creación de un archivo a la práctica artística en el proyecto INTIMAL: lecciones aprendidas de la escucha de un archivo de historia oral de mujeres migrantes colombianas.”, ha sido publicado en la Revista Acervo (Revista do Arquivo Nacional), que es la Revista del Archivo Nacional de Brasil. La publicación fue un esfuerzo conjunto con mis co-autores Lucia Nikolaia Bohórquez López (Centro RITMO, UiO), Helga Flamtermesky (Mujer Diáspora) y Oliver Lartillot (Centro RITMO, UiO). Esta edición de Acervo se dedicó a “Diálogos Desviantes do Archivo” Das experimentações artísticas à educação das sensibilidades, y tuvo como editoras invitadas a Adriana Carvalho Koyama y Ana Pato. La edición impresa se lanzó en el IV Simpósio Arquivos & Educação, el 17 de septiembre de 2019, en el Archivo Nacional de Brasil. Allí participé en una mesa redonda (presencia en línea), junto con Andrea França – PUC RJ, Luiz Claudio da Costa – UERJ, Adriana Carvalho Koyama – Unicamp y Ana Pato – Grupo de Pesquisa Estéticas de memoria no século 21: arte , espaço público e imágenes do pós-monumental.

En una sesión muy inspiradora, con ejemplos de artistas que trabajan con archivos y memoria, en performance, fotografía, escultura y cine (entre otras prácticas) reflexionamos sobre la necesidad contemporánea de desviarse de las prácticas positivistas e historicistas, y contribuir a la reconstrucción de la historia articulada a nuestras memorias. De la sesión resalto la importancia de los archivos en la elaboración de traumas sociales. ¡Gracias a todos los participantes por esta sesión!

 

RE:Sound Conference, Aug 19-24, 2019

 

Screen Shot 2019-09-19 at 20.10.03.pngIt was a very nourishing experience for me, being part of the Track 3 session: “Sound and Voice: Art, Practices and Politics” at the RE:Sound conference, Sound, Media and Art,  which took place in Aalborg, Denmark, from August 19th to August 24th,  In the panel shared with Luz Maria Sánchez – Universidad Autónoma Metropolitana Lerma (Chair of the Track), and Luis Carlos Sotelo – Concordia University, we shared different approaches to listen in contexts of violence and migration, and with a common ground on listening to women’s accounts and bringing these voices in art and performative forms. In our overlapping research-practices we explore contexts of Colombia and Mexico, and look paths for different traumatic stories to be heard by others, within the axis of political voice and reaching resonances in the broader population, using the voice as a “trigger” of specific healing processes as individuals and as a society.

My presentation, “Ellos no están entendiendo nada” [“They are not understanding anything”]: Listening to Embodied Memories of Colombian Migrant Women, reflecting on conflict and migrationfocused on complex embodied narratives that emerge in the INTIMAL Long Distance Improvisation (Telematic Sonic Performance), and was co-authored with Alexander Refsum Jensenius.

The panel was moderated by Iris Garrelfs, Goldsmiths University of London.

Thanks to our co-panelists!!!

Pamela Z Award: Honorary Mention

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I feel honoured for being awarded with an honorary mention of the NIME 2019’s Pamela Z Award for Innovation, for the paper “INTIMAL: Walking to Find Place, Breathing to Feel Presence” who I wrote together with my co-authors Victor Evaristo González Sánchez and Çagri Erdem, and my artistic work involving migration issues, specifically for helping to “connect women’s voices who are unheard and have suffered from migrating to other countries involuntarily”. In this logic, I thank collaborators such as Mujer Diáspora (Diaspora Women), and her coordinator Helga Flamtermesky, who have collected and provided me with such voices, which have been heard by the INTIMAL community of Colombian Women, as a catharsis, an exercise of collective memory. Also to the INTIMAL community, who has followed me in the work to listen to these voices, and to their own migrations, and to my research assistant Lucia Nikolaia Lopez Bojorquez who supported me in the intense emotional work of annotating technically these voices to be heard by others, in the INTIMAL project.

I received a gift kindly provided by Margaret Schedel: a copy of the book “Artful Design” by Ge Wang.

Pamela Z award in the NIME Conference, was created last year and recognizes a person who is doing significant work that improves the discussion about diversity in NIME either through their research connecting people or through actions such as organisation and awareness.

This year the awardee of the Pamela Z main award is precisely the composer Margaret Schedel, who has contributed to the inclusion of diversity and NIMEs (New Interfaces for Musical Expression), and her co-authored paper “Women’s Labor: Creating NIMEs from Domestic Tools”.

Thanks to the jury of Pamela Z Award 2019:

Isabel Nogueira, Astrid Bin, Anna Weisling, Ana Maria Romano Gomez, Anna Xambó