Erratic Bodies workshop, ILOS, UiO, Sept 27-28, 2018

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I had the great opportunity to share aspects of the INTIMAL research with migration studies scholars in the frame of Erratic bodies, transitional borders, and recent migration in Europe: Representation and identity negotiations in public discourse, literature and the arts workshop organised by Nelson González-Ortega, Ljiljana Saric, Álvaro Llosa Sanz, Johan Schimanski from the Department of Literature, Area Studies and European Languages (ILOS), at the University of Oslo.  It was very nourishing sharing with scholars from all over the world, different aspects regarding representation of migrants, from graffiti to literature and film. My paper called “Intimal: Migrant Women’s Sonic Statements of Presence” contributed from the mediated performance art perspective, in a platform where Colombian migrant women present themselves, stating “presence”.  The writing of the presentation invited me to explore migration literature in the area of gender, emotions and identities, as well as feelings regarding absence and presence.

The abstract is available on my personal UiO profile under “Other” publications and the paper continues being a work in progress for future publications in an interdisciplinary context.

Thanks to the organisers and participants for your questions and contributions regarding INTIMAL.

Presenting at Musikkteknologidagene 2017

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I presented INTIMAL at Musikkteknologidagene 2017 at the Norwegian Academy of Music. It was a good space to share my initial thoughts about the system. I am focusing on voice and language and an important question with some oral archives is how the body listens to painful experiences and to good experiences too, particularly where the body is mentioned within the narrative, and how INTIMAL, a system placed between the psychological and body listening, and the technological mediation, using voice, could open spaces for transformation of individual and shared memories of loss (because of conflict and because of migration). This is a moment for many questions, also including “how the body moves when listening to its own voice and in different languages”, “how walking makes sense of place, in a new physical foreign space”, and how in this manner body meets the different parts of the system. Questions of interactivity are about entrainment in physical and virtual spaces, looking for a historical body that might be perceived as fragmented.