“Breathing (as Listening): an emotional bridge for telepresence”, chapter in “The Body in Sound, Music and Performance” book

I am so happy to announce that I have my chapter “Breathing (as Listening): An Emotional Bridge for Telepresence” included in this unique book “The Body in Sound, Music and Performance. Studies in Audio and Sonic Arts” edited by Linda O Keefe and Isabel Nogueira.

“Through eliciting and compiling new writings from a formidable list of women with broad and diverse sound practices and expertise, O Keeffe and Nogueira have produced an intriguing volume”. Pamela Z

It includes book chapter contributions from an amazing selection of women, including Heather Frasch, @laurenhayes, @raquelstolf, Sanne Krogh Groth, Tânia Neiva, Irene Revell, @Luciana Lyra, Ida Mara Freire, Antye Greie- Ripatti (AGF/ poemproducer), Laila Rosa and @adrianagabrielasantostexeira, Lílian Campesato and Valéria Bonafé, Cat Hope, Susie Green and Margaret Schedel, @irinerosnes, Sophie Knezic, Ximena Alarcon, Sandra Pauletto.

I was honoured to be a keynote for the launch of this tremendous book! Thanks for the wonderful launch Linda O Keefe Isabel Nogueira and speakers Valéria Bonafé Lílian Campesato Heather Frasch, Sandra Pauletto, Jennifer Lynn Stoever & Liana Silva, and the workshop by Susie Green and Margaret Schedel! Really honoured to be the keynote speaker, thanks to all. Much learning and inspiration!

Sonic Proximities, published in JONMA Journal

I am very pleased to announce and share my publication “Sonic Proximities: Locating Oneself and the Others Within a “Migratory Journey”.” in the Journal of Network Music and Arts 4, 1 (2022).

This issue of the Journal addresses the theme “Network Arts:
Transformation of Distance.” Questions on different aspects of distance are addressed by the five articles involving different technologies, art practices and contexts, in contemporary times of connecting during the Covid-19 pandemic.

My contribution is a reflection on the first version of the INTIMAL App© developed with The Studio Recovery Fund, and the test with 10 women in Bath, UK. In the context of the Covid-19 pandemic, this article reflects on the social and environmental “sonic proximities” that emerged out of the listening experiences using the INTIMAL mobile app with ten women based in Bath, United Kingdom. I suggest that the embodied and interactive simplicity of the app stimulates connections that support the gradual transformation of environmental and social distance, thereby providing a sense of individual and collective agency.

The reflection was presented first at the NowNet Arts Conference 2021, and with the feedback received and further reflections, the results are published here.

Thanks to Sarah Weaver and Corinna Kirsch, to make possible this publication, and congratulations on the full issue.

Routed Magazine & iDiaspora

An article written by the INTIMAL collective, and titled “INTIMAL: Relational listening that unknowingly prepared us for the COVID-19 pandemic” has been published by the magazine Routed and iDiaspora, in an special issue, “Empowering global diasporas in the digital era”. It has been published in English, Spanish and French.

We are proud of sharing this issue with other 18 experiences using digital technologies in different ways to use digital media to connect, help, heal and stand for migrant’s needs and rights all over the world.

We are grateful the editors and the team that makes this possible!

New Article 8th International Conference on Media Art, Science, and Technology (RE:SOUND 2019)

Here a reflection on complex narratives in the INTIMAL Long Distance Improvisation which happened on May 7, 2019. The publication is called “Ellos no están entendiendo nada” [“They are not understanding anything”]: embodied remembering as complex narrative in a Telematic Sonic Improvisation, was published as part of the Proceedings of the 8th International Conference on Media Art, Science, and Technology RE:SOUND 2019. Thanks to my co-author Alexander Refsum Jensenius.

Aquí un artículo de la investigación INTIMAL, publicado en el journal eWic BCS, como parte de la conferencia RE:SOUND 2019. Reflexionamos en las complejas narrativas desde el cuerpo en la improvisación INTIMAL A Larga Distancia. Gracias a mi co-autor Alexander Refsum Jensenius.

Authors: Ximena Alarcón Díaz and Alexander Refsum Jensenius

Abstract: “INTIMAL is a physical-virtual system for relational listening, exploring the role of the body as interface that keeps memory of place in migratory contexts. The system is developed to integrate the body movements of performers (and their voices) with an oral archive. The system has been informed and tested by nine Colombian migrant women in Europe in a telematic performance between the cities of Oslo, Barcelona and London. In the performance a “complex narrative” emerged, for both the improvisers and the audiences. In this paper, we describe the conditions of the narrative environment, and the embodied expressions that emerged. We reflect on how this distributed embodied expression—through technological mediated sound and movement interactions—might further aid processes of collective remembering and catharsis, in a context of conflict and gendered migration.”

Publication in new JONMA Journal

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I feel honoured for having published “Sensing Place and Presence in an INTIMAL Long-Distance Improvisation” in the new JONMA Journal of Network Music and Arts, first of its kind. Thanks to my co-authors and congratulations!

Alarcon Diaz, Ximena, Paul Boddie, Cagri Erdem, Eigil Aandahl, Elias Sukken Andersen, Eirik Dahl, Mari Lesteberg, and Alexander Refsum Jensenius. “Sensing Place and Presence in an INTIMAL Long-Distance Improvisation.” Journal of Network Music and Arts 1, 1 (2019). https://commons.library.stonybrook.edu/jonma/vol1/iss1/3

Abstract:

“INTIMAL is an interactive system for relational listening, which integrates physical-virtual interfaces for people to sonically improvise between distant locations. The aim is to embrace two key aspects in the context of human migration: the sense of place and the sense of presence. This paper reflects on the use of INTIMAL in a long-distance improvisation between the cities of Oslo, Barcelona and London in May 2019. This improvisation was performed by nine Colombian migrant women, who had been involved in a research process using the Deep Listening® practice developed by Pauline Oliveros. Here we describe the performance setting and the implementation of the first two interfaces of the system: MEMENTO, an “embodied” navigator of an oral archive of Colombian women’s testimonies of conflict and migration; and RESPIRO, a sonification system that transmits and sonifies live, breathing signals between distant locations. We reflect on how the two interfaces facilitated and challenged the improvisers’ listening experiences and connections.”

 

 

 

ACERVO: publication and round table

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English (Spanish below)

I am proud to announce that our paper titled:  “From collecting an archive to artistic practice in the INTIMAL project: lessons learned from listening to a Colombian migrant women’s oral history archive.” has been published in the Revista Acervo (Revista do Arquivo Nacional), which is the Journal from the National Archive from Brazil. The publication was a joint effort with my co-authors Lucia Nikolaia Bohórquez López (RITMO Centre, UiO), Helga Flamtermesky (Diaspora Women) and Oliver Lartillot (RITMO Centre, UiO). This edition of Acervo was dedicated to “Diálogos Desviantes do Archivo” Das experimentações artísticas à educação das sensibilidades, and had as Guest Editors Adriana Carvalho Koyama and Ana Pato. They launched the edition at the IV Simpósio Arquivos & Educação, on September 17, 2019,  at the Arquivo Nacional de Brasil. I participated in a round table at the event (online presence), together with Andrea França – PUC RJ, Luiz Claudio da Costa – UERJ, Adriana Carvalho Koyama – Unicamp, and Ana Pato – Grupo de Pesquisa Estéticas da memória no século 21: arte, espaço público e imagens do pós-monumental.

In a very inspiring session, with examples of artists working with archives and memory, in performance, photography, sculpture and film (amongst other practices) we reflected on the contemporary need of deviating from positivist and historicist practices, and contribute to the reconstruction of history articulated to people’s memories. From the session I take with me as a highlight the importance of the archives in the elaboration of social traumas. Thanks to all the participants for this nourishing session!

Español

Me enorgullece anunciar que nuestro artículo titulado: “De la creación de un archivo a la práctica artística en el proyecto INTIMAL: lecciones aprendidas de la escucha de un archivo de historia oral de mujeres migrantes colombianas.”, ha sido publicado en la Revista Acervo (Revista do Arquivo Nacional), que es la Revista del Archivo Nacional de Brasil. La publicación fue un esfuerzo conjunto con mis co-autores Lucia Nikolaia Bohórquez López (Centro RITMO, UiO), Helga Flamtermesky (Mujer Diáspora) y Oliver Lartillot (Centro RITMO, UiO). Esta edición de Acervo se dedicó a “Diálogos Desviantes do Archivo” Das experimentações artísticas à educação das sensibilidades, y tuvo como editoras invitadas a Adriana Carvalho Koyama y Ana Pato. La edición impresa se lanzó en el IV Simpósio Arquivos & Educação, el 17 de septiembre de 2019, en el Archivo Nacional de Brasil. Allí participé en una mesa redonda (presencia en línea), junto con Andrea França – PUC RJ, Luiz Claudio da Costa – UERJ, Adriana Carvalho Koyama – Unicamp y Ana Pato – Grupo de Pesquisa Estéticas de memoria no século 21: arte , espaço público e imágenes do pós-monumental.

En una sesión muy inspiradora, con ejemplos de artistas que trabajan con archivos y memoria, en performance, fotografía, escultura y cine (entre otras prácticas) reflexionamos sobre la necesidad contemporánea de desviarse de las prácticas positivistas e historicistas, y contribuir a la reconstrucción de la historia articulada a nuestras memorias. De la sesión resalto la importancia de los archivos en la elaboración de traumas sociales. ¡Gracias a todos los participantes por esta sesión!