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INTIMAL: Interfaces for Relational Listening

Body, Memory, Migration, Telematics

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Category: Tech-Training

Tech-Training

Technological and Artistic Training

To nourish the development of INTIMAL and to review technologies of sonification of body movement, I have attended during the last two months to very interesting workshops organised by fourMs at the Department of Musicology-University of Oslo. These have invited me to think of the many different options to listen to the body by using … Continue reading Technological and Artistic Training

December 11, 2017December 11, 2017Leave a comment

INTIMAL is a telematic sound art research project and "embodied" system for listening to our migrations.

 
INTIMAL's vision is to expand people's sense of place and sense of presence, with the use of embodied interfaces and networking technologies in live improvisatory sound performances, interconnecting people across local and distant locations, while creating dream-like narratives of place.
INTIMAL is conceived and led by the artist-researcher Dr. Ximena Alarcón Díaz who was awarded a Marie Skłodowska Curie Individual Fellowship 2017-2019 for developing the first stage of this project.

Recent Posts

  • INTIMAL Documentary
  • Heh-ring-gohn-za: Escuchatorio del Viaje Migratorio, Linz. February 2021
  • Walking Festival of Sound, Jan 15, 2021

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Academic-Dissemination Awards Collaborations Conferences Dissemination Fieldwork INTIMAL Collective Live Improvisations MSCA Panels Publications Residences Tech-Training

Supporters Stage 2

The Studio, Bath Spa University (March 2020 – present)

Center for Deep Listening, Rensselaer Polytechnic Institute (September 2019 – present)

Centro de Residencias Artísticas Matadero Madrid (Oct 28-Nov 24, 2019)

Funders Stage 1

It was funded in its first stage by the Marie Skłodowska Curie Individual Fellowship 2017-2019 awarded to Dr Ximena Alarcón Díaz, who developed it at the RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion, Department of Musicology at the University of Oslo.

This project received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sklodowska-Curie grant agreement No 752884, and partial funding from the Research Council of Norway through its Centres of Excellence scheme, project number 262762.

RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion
RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion

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